Water acts as a sensory organ, as a sensitive membrane. It is an epidermal surface that, although it covers, is also permeable, enabling an exchange and even originating dissolution. My work is the result of a process of contemplation and sensory investigation, in response to the convergence of two surfaces: the surface of the paper and the surface of the sea. Each of my pieces captures the forces that condense in the incessant variation of a matter in perpetual motion. With the intention of creating visual conditions where the black line and its constant interaction with the white of the support are capable of summoning all the changing activity that operates under the mobile appearance of the aquatic surface; the drawing results from the work of the sea as a free space, but one that manifests itself as dense. A single portion of space can be occupied by several different movements, to which is also added the gesture of carefully and deliberately capturing or registering what has already moved. The ephemeral nature of its behaviors, which in turn, transparent, dialogue with the nature of the technique used, in that it is organic and in the form of powder penetrates the surface of the sheet. I am fully aware of the degree to which water is decisive in the conformation of my sensoriality. And perhaps I also perceive in its mutating surface an alternative experience, visual and material, to those other equally mutable sheets that absorb our perception of the world.