{"id":44754,"date":"2025-12-26T18:22:24","date_gmt":"2025-12-26T18:22:24","guid":{"rendered":"https:\/\/artizar.es\/bio-jose-bedia\/"},"modified":"2025-12-26T18:22:25","modified_gmt":"2025-12-26T18:22:25","slug":"bio-jose-bedia","status":"publish","type":"page","link":"https:\/\/artizar.es\/en\/bio-jose-bedia\/","title":{"rendered":"Bio Jos\u00e9 Bedia"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"44754\" class=\"elementor elementor-44754 elementor-44492\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bebe374 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default elementor-section-items-middle\" data-id=\"bebe374\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1bbb8ec\" data-id=\"1bbb8ec\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3e9c913 elementor-widget elementor-widget-heading\" data-id=\"3e9c913\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Jos\u00e9 Bedia<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-33001e2 elementor-widget elementor-widget-heading\" data-id=\"33001e2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">La Habana, 1959<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8063151 elementor-widget elementor-widget-text-editor\" data-id=\"8063151\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>SELECTED SOLO EXHIBITIONS<\/strong><\/p>\n<p><strong>2019<\/strong> Trazos de Una Canci\u00f3n<strong>, <\/strong>Galeria Artizar, Tenerife, Spain<\/p>\n<p><strong>2018<\/strong>\u00a0 \u00a0<em>Jose Bedia: Mujer Natura,\u00a0<\/em>Art Palm Beach, West Palm Beach, FL<\/p>\n<p><strong>2017<\/strong>\u00a0 \u00a0<em>Jose Bedia Fieldwork: Selections from the De La Cruz Collection and the Artist NSU Ft. Lauderdale Museum<\/em>, Ft. Lauderdale, FL<br \/><em>Jose Bedia: Memoria y Creencias Culturale<\/em>, Second Street Gallery, Charlottesville, VA<\/p>\n<p><strong>2016<\/strong>\u00a0 \u00a0<em>On the Frontier: The Art of Jose Bedia<\/em>, El Museo Cultural de Santa Fe, Santa Fe, NM<br \/><em>Jose Bedia<\/em>, Frederic Boloix Fine Arts Gallery, Ketchum, ID<br \/><em>Tribal Affinities,<\/em>\u00a0Tambaran Gallery, New York, NY<br \/><em>Parabola del Jaguar<\/em>, Colegio Civil Centro Cultural Universitario, Monterrey, Mexico<br \/><em>Isla, Monte, Animal, Gente<\/em>, Galeria Antizar,\u00a0Tenerife, Spain<\/p>\n<p><strong>2015<\/strong>\u00a0 \u00a0<em>Somalian Prey<\/em>, Museo San Telmo,\u00a0San Sebastian, Spain<\/p>\n<p><strong>2014<\/strong>\u00a0\u00a0<em>\u00a0Syncretism and Spirituality: The Art of Jose Bedia<\/em>, Kimora Gallery,\u00a0Anchorage, Alaska<br \/><em>Jos\u00e9 Bedia\/ Katja Loher:\u00a0Interplanetary Kisses,<\/em>\u00a0Lyle O. Reitzel, Santo Domingo, RD<br \/><em>Jos\u00e9 Bedia, Solitary Sailor<\/em>, Fred Snitzer Gallery, Miami, Florida.<\/p>\n<p><strong>2013<\/strong>\u00a0 \u00a0<em>Jose Bedia: Recurrencia del animal solitario<\/em>, Fundaci\u00f3n Iturria, Montevideo, Uruguay.<br \/><em>Nfumbi Mizidi<\/em>, Museo de Caguas, Puerto Rico<br \/><em>Oscuras Aventuras Gr\u00e1ficas<\/em>, Lyle O. Reitzel, Santo Domingo, RD.<\/p>\n<p><strong>2012<\/strong>\u00a0 \u00a0<em>Paintings by Jose Bedia<\/em>,\u00a0Heriard-Cimino Gallery, New Orleans, LA<br \/><em>Transcultural Pilgrim<\/em>, Miami Art Museum, Miami, FL, Curators: Judith Bettelheim &amp; Janet Catherine Berlo.<br \/><em>Jos\u00e9 Bedia, Une Saison en Enfer<\/em>, Fred Snitzer Gallery, Miami, Florida<br \/><em>Historias de un pa\u00eds gentil,<\/em>\u00a0Lyle O. Reitzel Gallery. Santo Domingo, RD<\/p>\n<p><em>Jos\u00e9 Bedia: Entre dos mundos,<\/em>\u00a0Casa de Am\u00e9rica, Madrid, Espa\u00f1a. Curator: Isabel Dur\u00e1n<br \/>J<em>os\u00e9 Bedia: Nomadismos (instalaciones)<\/em>, The Het Domein Museum, Sittar, Holanda. Curators: Orlando Hern\u00e1ndez \/ Omar-Pascual Castillo<br \/>Instituto Cabrera Pinto, La Laguna, Santa Cruz de Tenerife, Espa\u00f1a. Curators: Orlando Hern\u00e1ndez \/ Omar-Pascual Castillo *<\/p>\n<p><strong>2011-2012\u00a0 <\/strong>\u00a0<em>Transcultural Pilgrim<\/em>, Fowler Museum at UCLA, Pasadena, CA. Curators: Judith Bettelheim &amp; Janet Catherine Berlo.<\/p>\n<p><strong>2011<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia: Nomadismos (instalaciones),<\/em>\u00a0CAAM Las Palmas de Gran Canaria, Espa\u00f1a. Curators: Orlando Hern\u00e1ndez \/ Omar-Pascual Castillo *<\/p>\n<p><strong>2010<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia: Entre dos mundos<\/em>, IVAM, Valencia, Espa\u00f1a.* Curator: Isabel Dur\u00e1n<br \/><em>Jos\u00e9 Bedia: Faces In The Landscape<\/em>, Latin American Masters, Los \u00c1ngeles, California<br \/><em>Jos\u00e9 Bedia: \u00bfC\u00f3mo empez\u00f3 todo?<\/em>, Museo de Arte de Puerto Rico, San Juan, PR. Curator: Juan Carlos L\u00f3pez<br \/><em>Jos\u00e9 Bedia: Fragment of Journeys<\/em>, New Orle\u00e1ns Museum of Art , New Orle\u00e1ns, EU<br \/><em>Jos\u00e9 Bedia: Fragment of Journeys<\/em>, Heriard-Cimino Gallery, New Orle\u00e1ns, EU<br \/><em>Jos\u00e9 Bedia: 15 a\u00f1os<\/em>, MIA (Miami Internacional Art), Stand Lyle O.Reitzel Gallery, Miami Convention Center, Fl.<\/p>\n<p><strong>2009-2010<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia, Rituals of Passag<\/em>e, Lyle O.Reitzel Gallery, Miami, Fl.<\/p>\n<p><strong>2009<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia: Grafolog\u00edas<\/em>, Sala Caja Granada, Ja\u00e9n, Espa\u00f1a. Comisarios: Omar-Pascual Castillo y Antonio S\u00e1nchez Mar\u00edn<br \/><em>Jos\u00e9 Bedia-Ray Smith<\/em>, Pinta Internacional Fair Art, Stand Galer\u00eda Sandunga, Metropolitan Pavilion, New York, NYC<br \/><em>Jos\u00e9 Bedia: Apuntes de Viajes<\/em>, Enlace Arte Contempor\u00e1neo, Lima, Per\u00fa<br \/><em>Jos\u00e9 Bedia: RE-corridos\u2026<\/em>, GEGaler\u00eda, Monterrey, M\u00e9xico.* Curator: Omar-Pascual Castillo<br \/><em>Jos\u00e9 Bedia. Analog\u00eda M\u00edstica<\/em>, Galer\u00eda Sandunga, Granada, Espa\u00f1a.* Curator: Omar-Pascual Castillo<br \/><em>X BIENAL DE LA HABANA Resistance and Freedom: Wifredo Lam, Ra\u00fal Mart\u00ednez y Jos\u00e9 Bedia<\/em>, Museo Nacional de Bellas Artes, La Habana, Cuba* Curator: Corina Matamoro<br \/><em>Jos\u00e9 Bedia, Solo Project<\/em>, Arteamericas 09. Latinamerican Art Fair, Cortes\u00eda Galeria Lyle O.Reitzel, Miami Beach, Florida.*<\/p>\n<p><strong>2008<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia, A mi aire<\/em>, Enlace Arte Contempor\u00e1neo, Buenos Aires, Argentina<br \/><em>Jos\u00e9 Bedia, Makishi + Nkisi,\u00a0<\/em>Galer\u00eda Lyle O. Reitzel, Santo Domingo. Rep. Dominicana<br \/><em>Jos\u00e9 Bedia: Status Quo<\/em>, Costantini Arte Contemporanea, Milan, Italia. Curator: Omar- Pascual Castillo<br \/>Jos\u00e9 Bedia. Project Rooms, dentro del proyecto: En el posterior de las Americas, Miart 08, Galer\u00eda Lyle O. Reitzel, Fiera Internacional d Arte, Mil\u00e1n, Italia. Curator: Omar- Pascual Castillo.*<br \/><em>Jos\u00e9 Bedia, Historias del Sur<\/em>, Galer\u00eda Animal, Santiago de Chile, Chile.*<\/p>\n<p><strong>2007<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia. Obra Reciente: Pinturas &amp; Dibujos<\/em>, Stand Galeria Lyle O. Reitzel, en \u2018CIRCA 07\u2019, San Juan, Puerto Rico<br \/><em>Jos\u00e9 Bedia, First Hand<\/em>,Fredric Snitzer Gallery, Miami, Florida<br \/><em>Jos\u00e9 Bedia \u201cIn-Project\u201d<\/em>, Fredric Stnizer Gallery, Art Basel Miami Beach 08, Miami, Fl<br \/><em>Jos\u00e9 Bedia, Im\u00e1genes Primigenias II<\/em>, Enlace Arte Contempor\u00e1neo, Lima, Per\u00fa<br \/><em>Jos\u00e9 Bedia, Im\u00e1genes Primigenias I<\/em>, Enlace Arte Contempor\u00e1neo, Lima, Per\u00fa<br \/><em>Jos\u00e9 Bedia, Im-Pulse<\/em>, Galer\u00eda Ramis Barquet, Chelsea, New York<br \/><em>Jos\u00e9 Bedia: Paintings &amp; Drawings (1992-2006)<\/em>, George Adams Gallery, New York, NY<\/p>\n<p><strong>2006<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia, El Estado de las Cosas,\u00a0<\/em>Fredric Snitzer Gallery, Miami, Florida<br \/><em>Jos\u00e9 Bedia: Obras Recientes 2002-2005<\/em>, Museo de Arte Moderno, Santo Domingo, Rep\u00fablica Dominicana<\/p>\n<p><strong>2005<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia, Al menos una se\u00f1al<\/em>, Galer\u00eda Spatium, Caracas, Venezuela<br \/><em>Jos\u00e9 Bedia, There, Around the corner<\/em>, Galer\u00eda Ramis Barquet, Chelsea, New York<br \/><em>Jos\u00e9 Bedia, La noche y el despertar<\/em>, Galer\u00eda Ramis Barquet, Monterrey, M\u00e9xico<br \/><em>Fieldwork<\/em>, Fredric Snitzer Gallery, Miami, Florida<br \/><em>One Man Show<\/em>, Palmbeach Contemporary Fair Art &amp; Photography, Stand Fredric Snitzer Gallery, Palmbeach, Florida<\/p>\n<p>2004\u00a0 \u00a0<em>Jos\u00e9 Bedia. Obra Reciente<\/em>, Galer\u00eda Thomas Cohn, Sao Paolo, Brasil.*<br \/><em>Jos\u00e9 Bedia<\/em>, Galer\u00eda Luc\u00eda de la Fuente, Lima, Per\u00fa<br \/><em>Jos\u00e9 Bedia (Obra de 1990-2004)<\/em>, Museo de Arte Contempor\u00e1neo de Panam\u00e1, Panam\u00e1<br \/><em>Jos\u00e9 Bedia: Estremecimientos<\/em>, MEIAC (Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo), Badajoz, Espa\u00f1a. Curator: Omar-Pascual Castillo<br \/><em>Jos\u00e9 Bedia: Estremecimientos<\/em>, DA2 (Domus Artium 2002), Salamanca, Espa\u00f1a. Curator: Omar- Pascual Castillo<br \/><em>Jos\u00e9 Bedia: Estremecimientos<\/em>, Instituto de Am\u00e9rica \/ Centro Dami\u00e1n Bay\u00f3n, Santa Fe, y el Museo Casa de los Tiros, Granada, Espa\u00f1a.* Curator: Omar-Pascual Castillo<br \/><em>Jos\u00e9 Bedia<\/em>, Galleria Claudio Poleschi, Lucca, Italy<br \/><em>El Jaguar y la Anaconda<\/em>, Fredric Snitzer Gallery, Miami, Florida.<\/p>\n<p><strong>2003<\/strong>\u00a0 \u00a0<em>Opere Recenti<\/em>, Galleria Alessandro Bagnai, Florencia, Italia.*<br \/><em>\u00daltimo fruto de temporada<\/em>, Iturralde Gallery, L.A., CA<br \/><em>Jos\u00e9 Bedia<\/em>, Centro Cultural Recoleta, Buenos Aires, Argentina.*<br \/><em>Lo que me dijo la Virgen<\/em>, Galer\u00eda Ramis Barquet, New York<br \/><em>Narraciones Incompletas<\/em>, Galer\u00eda Nina Menocal, M\u00e9xico, D.F<br \/><em>Nsila\u2014El Camino<\/em>, Cantor Arts Center\u2019s, University of Stanford, San Francisco. USA. Curator: Manuel Jordan<br \/><em>Jos\u00e9 Bedia: Santos y Bandidos<\/em>, Galer\u00eda Nader, Santo Domingo, Rep\u00fablica Dominicana.*<br \/><em>Jos\u00e9 Bedia: T\u00fa tienes que estar all\u00ed<\/em>, Fredric Snitzer Gallery, Miami, Florida<\/p>\n<p><strong>2002<\/strong>\u00a0 \u00a0<em>Lecci\u00f3n Silenciosa,\u00a0<\/em>Klaus Steinmetz Arte Contempor\u00e1neo, San Jos\u00e9, Costa Rica<br \/><em>Jos\u00e9 Bedia<\/em>, Gallagher Gallery, Royal Hibernian Academy, Dublin, Ireland<br \/><em>Fieldwork<\/em>, Miami-Dade Community College Wolfson Campus\u2019 Centre Gallery, Fl<br \/><em>The Transportable Cultural Hero<\/em>, Laumeier Sculpture Park, St. Louis, MO<br \/><em>Jos\u00e9 Bedia<\/em>, Centro Cultural Espa\u00f1ol, Santo Domingo, Rep\u00fablica Dominicana<br \/><em>Blanco Espiritual<\/em>, Museo de Bellas Artes de Granada, Palacio de Carlos V, Granada, Espa\u00f1a.* Curator: Omar-Pascual Castillo<br \/><em>Proverbios<\/em>, Fredric Snitzer Gallery, Miami, Florida.<\/p>\n<p>2001\u00a0 \u00a0<em>Jos\u00e9 Bedia<\/em>, Annina Nosei Gallery, New York<br \/><em>Condici\u00f3n Visionaria,\u00a0<\/em>Iturralde Gallery, Los \u00c1ngeles, CA.*<br \/><em>Works On Paper,\u00a0<\/em>Galer\u00eda Ramis Barquet, New York<br \/><em>Back In Africa<\/em>, Fredric Snitzer Gallery, Miami, Florida<br \/><em>Elson Artist-in-Resident Project: Jos\u00e9 Bedia,\u00a0<\/em>Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts<\/p>\n<p><strong>2000<\/strong>\u00a0 \u00a0<em>Rodeado de Mar<\/em>, Contemporary Art Center of Virginia, Virginia Beach, VA.* Curator: Georges Adams<br \/><em>Di\u00e1metro Negro<\/em>, FIAC 2000, Galer\u00eda Ramis Barquet, Par\u00eds, Francia.*<br \/><em>Things We Need,\u00a0<\/em>New Paintings, George Adams Gallery, New York, NY<br \/><em>Fragmentos de una Historia<\/em>, Fredricric Snitzer Gallery, Miami<\/p>\n<p><strong>1999<\/strong>\u00a0 \u00a0<em>Jose Bedia<\/em>, Galerie Nathalie Obadia, Paris, Francia<br \/><em>Jos\u00e9 Bedia<\/em>, Galer\u00eda Ramis Barquet, New York, NY.*<br \/><em>Jos\u00e9 Bedia<\/em>, Annina Nosei Gallery, New York, NY<br \/><em>Jos\u00e9 Bedia<\/em>, The Art Museum, Florida International University, Miami, FL.*<\/p>\n<p><strong>1998<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia<\/em>, Byron C. Cohen Gallery for Contemporary Art, Kansas City<br \/><em>Jos\u00e9 Bedia<\/em>, Joslyn Art Museum, Omaha, Nebraska.*<br \/><em>Jos\u00e9 Bedia<\/em>, I Bienal de Lima, Per\u00fa<br \/><em>Objetos de Trueque<\/em>, Fredric Snitzer Gallery, Miami, FL<br \/><em>Cr\u00f3nicas Americanas: Obras de Jos\u00e9 Bedia<\/em>, Museo Rufino Tamayo, M\u00e9xico DF* Curator: Charles Merewether<br \/><em>The Island, the Hunter and the Prey<\/em>, Wichita State University Edwin A. Ulrich Museum of Art, Wichita, Kansas<br \/><em>Mi Esencialismo,<\/em>\u00a0David Floria Gallery, Aspen, CO.<\/p>\n<p><strong>1997<\/strong>\u00a0 \u00a0<em>Cr\u00f3nicas Americanas: Obras de Jos\u00e9 Bedia<\/em>, MARCO (Museo de Arte Contempor\u00e1neo), Monterrey, M\u00e9xico.* Curator: Charles Merewether<br \/><em>Err\u00f3nea Artesan\u00eda<\/em>, George Adams Gallery, New York City, NY<br \/><em>Historia de Animales<\/em>, Fredric Snitzer Gallery, Miami, FL.*<br \/><em>The Island, the Hunter and the Prey<\/em>, SITE Santa Fe, New M\u00e9xico<br \/><em>Jos\u00e9 Bedia<\/em>, Der Brucke Arte International, Buenos Aires, Argentina .<\/p>\n<p>1996\u00a0 \u00a0<em>La isla, el cazador y la presa<\/em>, Galer\u00eda Der Brucke, Buenos Aires, Argentina<br \/><em>Drawings,<\/em>\u00a0Porter Troupe Gallery, San Diego, CA<br \/><em>Mi Esencialismo \/ My Essentialism<\/em>, Douglas Hyde Gallery, Trinity College, Dublin, Ireland; Pori Art Museum, Finland; George Adams Gallery, New York, NY.*<br \/><em>New Drawings<\/em>, Fredric Snitzer Gallery, Coral Gables, FL.<\/p>\n<p><strong>1995<\/strong>\u00a0 \u00a0<em>Cosas Redondas<\/em>, Museum of Art, Fort Lauderdale, Fort Lauderdale, FL.*<br \/><em>Mundele Quiere Saber,<\/em>\u00a0Fredric Snitzer Gallery, Coral Gables, FL; Terrace Gallery of Orlando City Hall, FL.*<\/p>\n<p><strong>1995\/94<\/strong>\u00a0 \u00a0<em>De Donde Vengo<\/em>, Institute of Contemporary Art, University of Pennsylvania, PA; Center for the Fine Arts, Miami, FL and the Museum of Contemporary Art, San Diego, CA.*<\/p>\n<p><strong>1994<\/strong>\u00a0 \u00a0<em>Casi todo lo que es m\u00edo<\/em>, Fredric Snitzer Gallery, Coral Gables, FL<br \/><em>Obra Reciente<\/em>, Thomas Cohn-Arte Contempor\u00e1nea, R\u00edo de Janeiro, Brasil, Frumkin\/Adams Gallery, New York, NY.<\/p>\n<p><strong>1993<\/strong>\u00a0 \u00a0<em>La Isla en Peso,<\/em>\u00a0Galer\u00eda Nina Menocal, M\u00e9xico, D.F.*<br \/><em>F\u00e1bula<\/em>, Galer\u00eda Fernando Quintana, Bogota, Colombia.*<\/p>\n<p><strong>1992<\/strong>\u00a0 \u00a0<em>New Paintings and an Installation<\/em>, Frumkin\/Adams Gallery, New York, NY<br \/><em>Brev\u00edsima relaci\u00f3n de la destrucci\u00f3n de las Indias<\/em>, Museo de Arte Contempor\u00e1neo Carrillo Gil, M\u00e9xico DF, Frumkin\/Adams Gallery, New York, NY<br \/><em>El Hombre de Hierro<\/em>, Galer\u00eda Curare, M\u00e9xico, D.F, MX<\/p>\n<p><strong>1991<\/strong>\u00a0 \u00a0<em>Jos\u00e9 Bedia<\/em>, Galer\u00eda Ramis Barquet (Monterrey) y Ninart Centro de Cultura, (M\u00e9xico, DF), M\u00e9xico.*<br \/><em>Large-Scale Drawings<\/em>, Frumkin\/Adams Gallery, New York, NY<br \/><em>Los Presagios<\/em>, Casa de \u00c1frica, IV Bienal de La Habana, Cuba.*<\/p>\n<p><strong>1990<\/strong><em>\u00a0 \u00a0Sue\u00f1o Circular<\/em>, Ninart Centro de Cultura y Galer\u00eda Ramis Barquet, M\u00e9xico, DF, Monterrey, M\u00e9xico<br \/><em>Recent Work<\/em>, Foresty Gallery, London, Canada.<\/p>\n<p><strong>1989<\/strong>\u00a0 \u00a0<em>Viviendo al borde del r\u00edo<\/em>, Castillo de la Real Fuerza, La Habana, Cuba; Galer\u00eda \u00c1ngel Romero, Madrid, Espa\u00f1a.*<br \/><em>Final del Centauro<\/em>, Castillo de la Real Fuerza, La Habana, Cuba<\/p>\n<p><strong>1987<\/strong>\u00a0 \u00a0<em>Tres visiones del h\u00e9roe<\/em>, Castillo de la Real Fuerza, La Habana, Cuba; Galer\u00eda \u00c1ngel Romero, Madrid, Espa\u00f1a.*<\/p>\n<p><strong>1986<\/strong>\u00a0 \u00a0<em>Dibujos<\/em>, Galer\u00eda \u00c1ngel Romero, Madrid, Espa\u00f1a<br \/><em>Cr\u00f3nicas Americanas III<\/em>, Centro Wifredo Lam, La Habana, Cuba; Metropolitan Museum of Manila, Philippines.*<\/p>\n<p><strong>1984<\/strong>\u00a0\u00a0<em>\u00a0Persistencia del uso<\/em>, Museo Nacional de Bellas Artes, La Habana, Cuba.*<\/p>\n<p><strong>1982<\/strong>\u00a0 \u00a0<em>Cr\u00f3nicas Americanas II<\/em>, Casa de la Cultura de Plaza, La Habana, Cuba<\/p>\n<p><strong>1980<\/strong>\u00a0 \u00a0<em>Cr\u00f3nicas Americanas I<\/em>, Casa de la Cultura de Plaza, La Habana, Cuba<\/p>\n<p><strong>SELECTED GROUP EXHIBITIONS<\/strong><\/p>\n<p><strong>2019<\/strong> <em>Re-Fresh<\/em>, Lyle O. Reitzel Gallery, Santo Domingo, DR<\/p>\n<p><strong>2018<\/strong>\u00a0 \u00a0<em>Context Art Miami Booth C216:\u00a0<\/em>Lyle O. Reitzel Gallery during Art Basel Miami Beach, Miami, FL<br \/><em>Dibujos con Tukula<\/em>, Casa Alpes, Galeria Nina Menocal, Mexico DF<br \/><em>Espacio Vivo<\/em>, Lyle O. Reitzel Gallery, Santo Domingo, DR<\/p>\n<p><strong>2017<\/strong>\u00a0 \u00a0<em>Back to Black: No On\/Off Ramps<\/em>, Art Africa 7th Edition, Miami, FL<br \/><em>Visionary Aponte: Art &amp; Black Freedom<\/em>, Little Haiti Cultural Complex, Miami, FL<br \/><em>OF \/ BY \/ FOR<\/em>, The American Museum of the Cuban Diaspora, Miami, FL<br \/><em>Adios Utopia: Dreams and Deceptions in Cuban Art since 1950<\/em>, The Museum of Fine Arts Houston, Houston, TX<br \/><em>Wild Noise \/ Ruido Salvaje<\/em>, Bronx Museum of the Arts, New York, NY<br \/><em>On the Horizon: Contemporary Cuban Art from the Jorge M. Perez Collection<\/em>, Perez Art Museum Miami, Miami, FL<\/p>\n<p><strong>2016<\/strong>\u00a0 \u00a0<em>Go Figure!<\/em>, Fredric Snitzer Gallery, Miami Fl<br \/><em>M\u00e9xico Vibra, Apasiona; Zona Maco<\/em>, Galeria Nina Menocal, Mexico City<\/p>\n<p><strong>2015<\/strong>\u00a0 \u00a0<em>Cuba: Ficci\u00f3n y Fantas\u00eda<\/em>, Casa Daros,\u00a0Rio De Janeiro, Brazil<br \/><em>A Sense of Place: Selections from the Jorge M. Perez Collection<\/em>, Mana Contemporary,\u00a0Miami, Florida<br \/><em>Migrantes<\/em>, Galeria Nina Menocal,\u00a0Mexico City<br \/><em>Canvas<\/em>, Canvas Art Charitie,\u00a0West Palm Beach, FL<br \/><em>Group Exhibition<\/em>, Nicole Henry Fine Art,\u00a0West Palm Beach, FL<br \/><em>Iconocracia<\/em>, Museo Artium,\u00a0Vittoria, Spain<\/p>\n<p><strong>2011<\/strong>\u00a0 \u00a0<em>Estetica Sold (16 Aniversario)<\/em>, Galer\u00eda Lyle O. Reitzel, Santo Domingo. Rep. Dominicana<br \/><em>Size Matters: Large-Scale and Small-Scale Paintings, Drawings and Sculptures<\/em>, George Adams, Gallery, New York, NYC.<\/p>\n<p><strong>2010<\/strong>\u00a0 \u00a0<em>IX Bienal of Beijing<\/em>, Beijing, China<br \/><em>Unbroken Ties, Dialogues in Cuban Art,<\/em>\u00a0Flint Institute of Art, Flint, MI<br \/><em>Portugal Arte 10, Portugal Arte<\/em>, Lisboa, Portugal<br \/><em>New &amp; Classic<\/em>, George Adams Gallery, New York, NYC<br \/><em>Bienal de Pontevedra 2010<\/em>, Pontevedra, Espa\u00f1a. Curator: Santiago B. Olmo<br \/><em>Without a Mask<\/em>, Johannesburg Art Gallery, South Africa. Curator: Orlando Hern\u00e1ndez<br \/><em>ArtBasel<\/em>, Stand Galer\u00eda Pol\u00edgrafa, Basel, Suiza<br \/><em>Flowers,<\/em>\u00a0Lies and Revolution: Contemporary Cuban Art, Sheldon Museum of Art, Lincoln, NE<br \/><em>Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection<\/em>, Lowe Art Museum, Coral Gables (Miami), FL<br \/><em>It is it \u2013 Espacio 1414<\/em>, San Juan, Puerto Rico<br \/><em>Different Strokes: 20th Century Drawing<\/em>, George Adams Gallery, New York City, NYC<br \/><em>Scope New York 2010,<\/em>\u00a0booth Lyle O. Reitzel Gallery, Lincoln Center Damrosch Park, New York, NYC<br \/><em>MIA<\/em>, Galeria Lyle O.Reitzel, Miami Beach, Florida<br \/><em>Nuevas Obras Gr\u00e1ficas<\/em>, Joan Prats\/Pol\u00edgrafa Graphic, Barcelona, Espa\u00f1a<br \/><em>Ajiaco: Stirrings of the Cuban Soul<\/em>, Chelsea Art Museum, New York City, Hilliard Museum at the University of Louisiana, Lafayette, Louisiana. Curator: Gail Gelburd<br \/><em>The Human Touch: Selections from the RBC Wealth Management Art Collection<\/em>, Joslyn Art Museum, Omaha, NE<\/p>\n<p><strong>2009<\/strong>\u00a0 \u00a0<em>Revolutionary Acts: Fifty Years of Printmaking in Cuba<\/em>, Carleton University Art Gallery, Ottawa, ON<br \/><em>Cardinal Points\/Punto Cardinales: A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Coll<\/em>, Baum Gallery \/ University of Central Arkansas, Conway, AR Get with the Program: Group Show, George Adams Gallery, New York City, NYC<br \/><em>3rd Moscow Biennale of Contemporary Art,<\/em>\u00a0Moscow Biennale of contemporary art, Moscow<br \/><em>Ajiaco: Stirrings of the Cuban Soul<\/em>, Lyman Allyn Art Museum, New London, CT. Curator: Gail Gelburd<br \/><em>Irreversible<\/em>, Cifo Art Space, Miami, Fl<br \/><em>ARTJA\u00c9N\u00b409<\/em>, Stand Galer\u00eda Sandunga, IFEJA, Ja\u00e9n, Espa\u00f1a<br \/><em>American Stories<\/em>, John Michael Kohler Arts Center, Sheboygan, Wisconsin &amp; Museum of Contemporary Art, Madison, Wisconsin, EUA<br \/><em>No reservations: Native American History and Culture in Contemporary Art<\/em>, The Aldrich Contemporary Art Museum, Ct.EUA<br \/><em>Selections from the Permanent Collection: New Gifts,<\/em>\u00a0Amarillo Museum of Art, Amarillo, TX. EUA<br \/><em>The Making of Giants<\/em>, Artformz, Miami, FL. Curator: Alejandro Mendoza<br \/><em>Checking the New Imaginary of the Borders<\/em>, Stand GEGaleria, HOT Art Fair, Basel, Suiza, Curator: Omar-Pascual Castillo<br \/><em>Pivot Points,<\/em>\u00a0The Museum of Contemporary Art (MOCA), North Miami, Fl<br \/><em>Identidades Post-Ut\u00f3picas (Nuevas Narrativas en la Pintura Iberoamericana)<\/em>, Galer\u00eda Costantini Arte Contemporanea, HOT Art Fair, Basel, Suiza. Comisario: Omar-Pascual Castillo<br \/><em>Art Lille Fair<\/em>, Stand Costantini Arte Contemporanea, Lille, Francia<br \/><em>MIART. <\/em><em>Art Now\u00b409<\/em>, Stand Galer\u00eda Costantini, Milano Fair Art Modern &amp; Contemporary, Fiera de Milano, Italia<br \/><em>ArtFormz: Giants in the City (Public Art Show)<\/em>, Miami\u2019s Bayfront Park, Miami, Fl. Curator: Alejandro Mendoza<br \/><em>Arteamericas 09<\/em>, Latinamerican Art Fair, Galeria Lyle O.Reitzel, Miami Beach, Florida<br \/><em>African Influence in Latin American and Caribbean Art<\/em>, Silvana Facchini Gallery, Miami, FL<br \/><em>NeoHooDoo: Art for a Forgotten Faith<\/em>, P.S.1 Contemporary Art Center, Long Island, Estados Unidos<br \/><em>TRANSactions: Contemporary Latin American &amp; Latino Art<\/em>, Sheldon Memorial Art Gallery, Lincoln, NE, Estados Unidos<br \/><em>Latin American Painting Now<\/em>, Naples Museum of Art, Florida, USA.<\/p>\n<p><strong>2008-2009<\/strong>\u00a0 \u00a0<em>Dominican Power &amp; Solid Friends<\/em>, Galeria Lyle O.Reitzel, Miami Beach, Florida<br \/><em>TRANSactions: Contemporary Latin American &amp; Latino Art<\/em>, The High Museum of Atlanta, Atlanta, Estados Unidos<br \/><em>Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection<\/em>, Samuel P. Harn Museum of Art, Gainesville, FL<br \/><em>Celebrate Hispanic Heritage (Latin American Masters and Contemporary Artists)<\/em>, Gary Nader Fine Arts, Miami, FL.<\/p>\n<p><strong>2008<\/strong>\u00a0 \u00a0<em>Mixed Emotions. Apuntes para una colecci\u00f3n del siglo XXI, DA2 \u2013 Domus Artium 2002<\/em>, Salamanca, Espa\u00f1a, Curator: Javier Panera<br \/><em>Cuba. <\/em><em>Artists experience their country<\/em>, New Jersey Hunterdon Museum of Art. Curator: de Kristen Accola Surrounded by water: Expresions of freedom<br \/><em>ArtePadua Fair\u00b408<\/em>, Stand Costantini Arte Contemporanea, Padua, Italia<br \/><em>Continuing Starting Over<\/em>, Galeria Lyle O.Reitzel, Miami Beach, Florida<br \/><em>Miracle Mile Art Walk<\/em>, Iturralde Gallery, Los Angeles<br \/><em>Surrounded by Water: Expressions of Freedom and Isolation in Contemporary Cuban Art<\/em>, Boston University Art Gallery \u2013 BUAG, Boston, MA, Estados Unidos.*<br \/><em>Pivot Points (Part 1), Paintings, Drawings &amp; Sculpture,<\/em>\u00a0MOCA. North Miami, Fl<br \/>Far from Home<em>, Museum of Art Nort Carolina, Nort Carolina<br \/>The Human Touch: Seletions from the RBC Dain Rauscher Colletion<\/em>, Rochester Art Center, Minnesota<br \/><em>TRANSactions: Contemporary Latin American &amp; Latino Art<\/em>, The Weatherspoon Art Museum at The University of North Carolina, North Carolina, Estados Unidos<br \/><em>Mixed Emotions. <\/em><em>Apuntes para una Colecci\u00f3n del Siglo XXI<\/em>, DA2, Salamanca<br \/><em>Exceptional Graphic Works II<\/em>, Cremata Fine Art, Miami, FL<br \/><em>Arte BA 08\u2032 Feria Internacional de Arte Contempor\u00e1neo<\/em>, Galer\u00eda Lyle O. Reitzel, Buenos Aires, Argentina<br \/><em>Strasbourg Contemporary Art Fair<\/em>, Stand Costantini Arte Contemporanea, Strasbourg, Francia<br \/><em>Paintings, Drawings<\/em>, and Sculpture, John Berggruen Gallery, San Francisco, CA<br \/><em>CIRCA 08,<\/em>\u00a0International Contemporary Art Fair, Galer\u00eda Lyle O. Reitzel, San Juan, PR<br \/><em>Terapia de Grupo<\/em>\u00a0(Arte Cubano Actual), Galer\u00eda Fernando Pradilla, Madrid, Espa\u00f1a. Curator: Omar-Pascual Castillo<br \/><em>Pegamento Aglutinante<\/em>, Costantini Arte Contempor\u00e1neo, MIART, Mil\u00e1n, Italia. Curator: Omar- Pascual Castillo<br \/><em>ArtDubai\u00b408<\/em>, Stand Galeria Nina Menocal, Dubai, EA<br \/><em>Balelatina<\/em>, Galer\u00eda Nina Menocal, Basel, Suiza<br \/><em>ArteAm\u00e9rica Fair Art<\/em>, Galer\u00eda Lyle O. Reitzel, Convention Center of Miami, Fl<br \/><em>NeoHooDoo: Art for a Forgotten Faith<\/em>, The Menil Collection, Houston, Tx.<\/p>\n<p><strong>2007<\/strong>\u00a0 \u00a0<em>El Triunfo de la Locura (XII Aniversario)<\/em>, Galeria Lyle O. Reitzel, Santo Domingo, RD<br \/><em>Pulse Miami,<\/em>\u00a0Stand Galer\u00eda Nina Menocal, Miami, Fl<br \/><em>IKF. <\/em><em>Latin American Art Aution 2007<\/em>, Cisnero Fontanal Foundation, Miami, Fl<br \/><em>Contemporary Latin American Art, Aution &amp; Exhibition 2007<\/em>, Museum of Latin American Art (MOLAA), Long Beach, CA<br \/><em>Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection<\/em>, The John and Mable Ringling Museum of Art, Sarasota, FL.*<br \/><em>La Presencia \u2013 The Presence of Latin American Art in California Collections<\/em>, Molaa Museum of Latin American Art, Long Beach, CA.*<br \/><em>ArtBasel Miami<\/em>, Fred Snitzer Gallery, Ramis Barquet Gallery, Galer\u00eda Nina Menocal, Miami, Fl<br \/><em>ArtBo\u00b407<\/em>, Enlace Arte Contempor\u00e1neo, Bogot\u00e1, Colombia.*<br \/><em>ArtForum<\/em>, Galer\u00eda Nina Menocal, Berlin, Alemania.*<br \/><em>ArtDubai\u00b407<\/em>, Galer\u00eda Nina Menocal, Dubai.*<br \/><em>The Dean\u2019s Gallery<\/em>, MIT List Visual Arts Center, Cambridge, MA<br \/><em>Balelatina<\/em>, Galer\u00eda Nina Menocal, Basel, Suiza.*<br \/><em>Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection<\/em>, Samuel P. Harn Museum of Art, Gainesville, FL.*<br \/><em>Latin American Modern and Contemporary Art Auction for Miami Museum<\/em>, Gary Nader Collection, Coral Gable, Miami, Fl.*<br \/><em>MACO, Feria de Arte Contempor\u00e1neo\u201907<\/em>, Stand Fredric Snitzer Gallery, M\u00e9xico, D.F<br \/><em>Secuencias (1976-2006. Arte contempor\u00e1neo en las colecciones p\u00fablicas de Extremadura)<\/em>, MEIAC, Badajoz, Espa\u00f1a.*<br \/><em>PINTA Fair Art<\/em>, Galer\u00eda Lyle O. Reitzel, New York, NYC<br \/><em>Art Miami\u00b407<\/em>, Galer\u00eda Lyle O. Reitzel, George Adams Gallery, Miami Beach, Fl.*<br \/><em>ArteAm\u00e9rica Fair Art<\/em>, Galer\u00eda Nina Menocal, Galer\u00eda Lyle O. Reitzel, Convention Center of Miami, Fl.<\/p>\n<p><strong>2006-2007<\/strong>\u00a0 \u00a0<em>MOCA\u2019s Tenth Anniversary Collection,<\/em>\u00a0MOCA, North Miami, Fl<br \/><em>TRANSaction: Contemporary Latin American and Latino Art<\/em>, Museum of Contemporary Art San Diego \u2013 MCASD La Jolla, CA<br \/><em>Unbroken Ties \u2013 Dialouges in Cuban Art<\/em>, Molaa Museum of Latin American Art, Long Beach, CA<br \/><em>Arte de Cuba<\/em>, Museu Oscar Niemeyer, Curitiba, Brasil<br \/><em>ENLASFRONTERAS \/ INBORDERLINES<\/em>, Itinerante por los Institutos Cervantes de Europa Central: Berl\u00edn, Viena, Mosc\u00fa, Bruselas.* Curators: Antonio Franco\/Omar-Pascual Castillo<\/p>\n<p><strong>2006<\/strong>\u00a0 \u00a0<em>Rising Stars: North Latin Americans<\/em>, Galer\u00eda Nina Menocal, M\u00e9xico, DF<br \/><em>Collector\u2019s Show &amp; Sale<\/em>, Arkansas Art Center, Little Rock, AR<br \/><em>Art On The Edge \u2013 Contemporary Art From The Permanent<\/em>, Joslyn Art Museum, Omaha, NE<br \/><em>ENLASFRONTERAS \/ INBORDERLINES<\/em>, Museo de la Villa Corsa, G\u00e9nova, Italia.* Curators: Antonio Franco\/Omar-Pascual Castillo<br \/><em>ArteAm\u00e9rica Fair Art<\/em>, Iturralde Gallery, Galer\u00eda Nina Menocal, Ramis Barquet Gallery, PanAmerican Art Gallery, Convention Center of Miami, Fl<br \/><em>Group Show<\/em>, George Adams Gallery, New York, NYC<br \/><em>Art Gallery To Nigth<\/em>, Iturralde Gallery, Los Angeles, CA<br \/><em>Art Miami\u00b406<\/em>, Nina Menocal Gallery, Galer\u00eda Lyle O. Reitzel, Miami Beach, Fl.*<br \/><em>ENLASFRONTERAS \/ INBORDERLINES<\/em>, Itinerante por los Institutos Cervantes de Europa Central: Berl\u00edn, Viena, Mosc\u00fa, Bruselas.* Curators: Antonio Franco\/Omar-Pascual Castillo<br \/><em>Armory Show<\/em>, Stand Galer\u00eda Nina Menocal, New York, NYC<br \/><em>ART.LA 06<\/em>, Stand Iturralde Gallery, Santa Monica Civic Auditorium, Santa Monica, CA<\/p>\n<p><strong>2005<\/strong>\u00a0 \u00a0<em>Images of Time and Place: Contemporary Views of Landscape<\/em>, Wayne State University, Elaine L. Jacob Gallery, Detroit, Michigan<br \/><em>Body Human<\/em>, Nohra Haime Gallery, New York, NYC<br \/><em>Personal Mythologies \u2013 Earlier, Recent and Future Acquisitions<\/em>, The Contemporary Museum Honolulu, Makiki Heights Drive 2411, HI 96822 Honolulu, HI, Estados Unidos<br \/><em>Art Bassel Miami\u00b405<\/em>, Stands: Ramis Barquet Gallery, Fred Snitzer Gallery, Galer\u00eda Nina Menocal, Miami Beach, Fl. *<br \/><em>Heritage Hispanic<\/em>, Hirshhorn Museum and Sculpture Garden, Washington, D.C<br \/><em>Contra Corriente: 10 a\u00f1os<\/em>, Galer\u00eda Lyle O. Reitzel, Santo Domingo, Rep. Dominicana<br \/><em>MOCA &amp; Miami<\/em>, Museum Of Contemporary Art of North Miami, Fl<br \/><em>Maestros Iberoamericanos<\/em>, Galer\u00eda V\u00e9rtice, Guadalajara, M\u00e9xico<br \/><em>ENLASFRONTERAS \/ INBORDERLINES<\/em>, Colecci\u00f3n de Arte de las Am\u00e9ricas del MEIAC), Instituto Cervantes de Praga, Rep\u00fablica Checa.* Curators: Antonio Franco\/Omar-Pascual Castillo<br \/><em>AAF Contemporary Art Fair<\/em>, Galer\u00eda Lyle O. Reitzel, New York, NYC<br \/><em>Contradicciones y convivencias,<\/em>\u00a0Centro Cultural BID, Washington, D.C.*<br \/><em>Catharsis (Arte Iberoamericano Actual)<\/em>, Espacio Anexo, Galer\u00eda Paupa, San Sebasti\u00e1n, Espa\u00f1a.* Curator: Omar-Pascual Castillo<br \/><em>AT THIS TIME: 10 Miami Artists<\/em>, Rubell Family Collection, Miami, FL<br \/><em>Contemporary Paintings of Latin America<\/em>, Northen Michigan University, Michigan, EUA<br \/><em>Art Religion Politics Close encounters with five continents<\/em>, PAC Padiglione d\u2019Arte Contempor\u00e1nea, Mil\u00e1n, Italia.* Curator: Jean Hubert Martin<br \/><em>O, The Games we Play<\/em>, Fredric Snitzer Gallery, Miami, FL<br \/><em>ARCO\u00b404,<\/em>\u00a0Feria de Arte Contempor\u00e1neo, Stand Ramis Barquet Gallery, Galer\u00eda Nina Menocal, Madrid, Espa\u00f1a.*<br \/><em>Naturaleza Muerta \u2013 Latin American Still Life from South Florida Collection<\/em>, Boca Raton Museum of Fine Art, Boca Raton, Florida<br \/><em>Armory Show<\/em>, Stand Galer\u00eda Nina Menocal, New York, NYC<br \/>Art Miami\u00b405, Fredric Snitzer Gallery, Galer\u00eda Fernando Pradilla, Nina Menocal Gallery, PanAmerican Art Gallery, Leonard Tachmes Gallery, Miami Beach, Fl.*<br \/><em>Wunderkammer I<\/em>, Galer\u00eda Nina Menocal, M\u00e9xico, DF.<\/p>\n<p><strong>2004-2005<\/strong>\u00a0 \u00a0<em>Islas Naciones: Arte Nuevo de Cuba, Rep\u00fablica Dominicana, Puerto Rico y la Di\u00e1spora<\/em>, RISD, Museum, de la Rood Island School &amp; Desing, en Provicence<br \/><em>Kongo Kingdom Art: From Ritual to Cutting Edge,<\/em>\u00a0Guangdong, Canton, travelling to Shanghai, Beijing, Peking, Taipei,&amp; Taiw\u00e1n. Curator: Henry Lu*<br \/><em>Obra In\u00e9dita,<\/em>\u00a0Galer\u00eda Lyle O. Reitzel Arte Contempor\u00e1neo, Santo Domingo, Rep\u00fablica Dominicana.<\/p>\n<p><strong>2004<\/strong>\u00a0\u00a0<em>\u00a0Images of Time and Place: Contemporary Views of Landscape<\/em>, Lehman College Art Gallery, Bronx, New York, NYC<br \/><em>Art Bassel Miami\u00b404, Stands: Ramis Barquet Gallery<\/em>, Fred Snitzer Gallery, Galer\u00eda Nina Menocal, Miami Beach, Fl. *<br \/><em>Arte Latinoamericano de Hoy, Sala de Armas de la Ciudadela<\/em>, Pamplona, Espa\u00f1a.* Curator: Fernando Franc\u00e9s<br \/><em>Group Show<\/em>, Iturralde Gallery, Los Angeles, CA.<br \/><em>Monstruos, Monstricos y aspirantes\u2026<\/em>\u00a0Galer\u00eda Lyle O. Reitzel Arte Contempor\u00e1neo, Santo Domingo, Rep\u00fablica Dominicana.*<br \/><em>Tapices Contempor\u00e1neos<\/em>, Galer\u00eda Ramis Barquet, New York, NYC<br \/><em>MACO\u00b404,<\/em>\u00a0Feria de Arte Contempor\u00e1neo de M\u00e9xico, Stand Ramis Barquet Gallery, Galer\u00eda Fernando Pradilla, Nina Menocal Gallery, Recinto Ferial de M\u00e9xico DF<br \/><em>Feria de Arte Contempor\u00e1neo de Lisboa 04,<\/em>\u00a0Stand Galer\u00eda Thomas Cohn, Lisboa, Portugal<br \/><em>Todav\u00eda Post-Modernos<\/em>, Galer\u00eda \u00c1ngel Romero, Madrid, Espa\u00f1a<br \/><em>Lock Stock &amp; Barrel,<\/em>\u00a0Fredric Snitzer Gallery, Miami, Fl<br \/><em>Di\u00e1spora<\/em>, En la Dak\u00b4Art Bienal\u00b42004, en el Museo del Arte y la Cultura del \u00c1frica Negra, en Dakar, Senegal. Curator: Ivo Mezquita<br \/><em>Erase una vez en M\u00e9xico. 8 Pintores Cubanos<\/em>, Instituto de M\u00e9xico en Miami, Miami, Fl<br \/><em>Armory Show<\/em>, Stand Galer\u00eda Nina Menocal, New York, NYC<br \/><em>Art Miami 04,<\/em>\u00a0Fredric Snitzer Gallery, Pan American Art Gallery, Galer\u00eda Fernando Pradilla, Nina Menocal Gallery, Leonard Tachmes Gallery Miami Beach, Fl.*<br \/><em>ARCO\u00b404<\/em>, Feria de Arte Contempor\u00e1neo, Stand Ramis Barquet Gallery, Galer\u00eda Nina Menocal, Madrid, Espa\u00f1a.*<br \/><em>Ahora Es El Futuro\/The Future is Now<\/em>, The Durst Organization, New York, organized by Paul Sharpe Contemporary Art. NYC<br \/><em>La condici\u00f3n humana<\/em>, Forum Barcelona\u00b404; en el Museo de Historia la Ciudad, Barcelona, Espa\u00f1a.*<br \/><em>Off the Wall: Works from the J.P. Morgan Chase Collection,<\/em>\u00a0Bruce Museum, Greenwich, Connecticut.<\/p>\n<p><strong>2003<\/strong>\u00a0 \u00a0<em>Visual Poetics: Art &amp; the Word<\/em>, Miami Art Museum, Miami, Fl<br \/><em>Then Floridians\/ Diez Floridianos,<\/em>\u00a0MAC, Museum of Art Contemporary, Miami, Fl<br \/><em>Black &amp; White (Autumn)<\/em>, Pan American Art Gallery, Dallas, Tx<br \/><em>Road Show<\/em>, George Adams Gallery, New York, NYC<br \/><em>Stranger in the Village<\/em>, The Museum of Modern Art at Guild Hall, East Hampton, NYC<br \/><em>Masters and Contemporary Art<\/em>, Gary Nader Fine Art Gallery, Miami, EUA<br \/><em>ARCO\u00b403<\/em>, Feria de Arte Contempor\u00e1neo, Galer\u00eda Ramis Barquet, Madrid, Espa\u00f1a.*<br \/><em>Drawing Conclusions<\/em>, Buena Vista Building, Miami, FL<br \/><em>Cuba Nostalgia (Prints Cuban Artists)<\/em>, Pan American Art Gallery, Coconut Groove Convention Center, Miami, Fl<br \/><em>Feria Art Santa Fe 2003<\/em>, 108 Contemporary Art, Sweeney Convention Center, Santa Fe, NM.*<br \/><em>The Fall Fundraiser<\/em>, Locust Projects, Miami, FL<br \/><em>Entre Sue\u00f1os<\/em>, Deutsche Bank Lobby Gallery. New York, NYC.* Curator: Holly Bloock<br \/><em>Draw! Draw! Draw!<\/em>, Fredric Snitzer Gallery, Miami, FL<br \/><em>Art Bassel Miami 03<\/em>, Fredric Snitzer Gallery, Ramis Barquet Gallery, Nina Menocal Gallery, Iturralde Gallery, Miami Beach, Fl. *<br \/><em>Onda expansiva: Ocho A\u00f1os<\/em>, Galer\u00eda Lyle O.Reitzel Arte Contempor\u00e1neo, Santo Domingo, Republica Dominicana.*<br \/><em>Creatures That Stir: Symbol and Satire in Animals of Imagination<\/em>, Palo Alto Art Center, CA.<\/p>\n<p><strong>2002<\/strong>\u00a0 \u00a0<em>Crisis Response<\/em>, The RISD Museum, Providence, RI<br \/><em>Jos\u00e9 Bedia, Anish Kapoor, Richard Serra: WORKS ON PAPERS<\/em>, Quint Contemporary Art, La Jolla, CA<br \/><em>First Encounter of Latin America and South Florida Art at Seravezza<\/em>, Medici Palace, Seravezza, Italia.*<br \/><em>ARCO\u00b402<\/em>, Feria de Arte Contempor\u00e1neo, Galer\u00eda Ramis Barquet, Galer\u00eda Thomas Cohn, Madrid, Espa\u00f1a.*<br \/><em>Eraser\u00b4s Border\u00b4s<\/em>, Contempor\u00e1nea Fair Art, Coconut Grove, Miami, FL.*<br \/><em>Arte de Am\u00e9rica Latina<\/em>, Galer\u00eda Luc\u00eda de la Puente, Lima, Per\u00fa.*<br \/><em>Time to Consider: The Arts Respond to 9.11.<\/em>, Deutsche Bank Lobby Gallery, New York, NYC<br \/><em>Iberoam\u00e9rica Ahora<\/em>, Galer\u00eda Fernando Pradilla, Madrid, Espa\u00f1a<br \/><em>Realidad y Figuraci\u00f3n: la presencia contempor\u00e1nea latinoamericana<\/em>, Boca Raton Museum of Art, Boca Rat\u00f3n, Florida, USA.*<br \/><em>One Thousand Words,<\/em>\u00a0John Michael Kohler Arts Center, Sheboygan, WI<br \/><em>Rayuela\/Hopscotch: 15 Contemporary Latin American Artists<\/em>, University of Scranton, Scranton, PA<br \/><em>Foro Sur \u00b42002<\/em>, Galer\u00eda \u00c1ngel Romero, C\u00e1ceres, Espa\u00f1a.*<br \/><em>Nueva Colecci\u00f3n de Arte Cubano<\/em>, Museo Nacional de Bellas Artes, La Habana, Cuba.*<br \/><em>Get in Line<\/em>, George Adams Gallery, New York, NYC<br \/><em>Me, Myself &amp; I<\/em>, George Adams Gallery, New York, NYC<br \/><em>Art Bassel Miami \u00b402<\/em>, Fredric Snitzer Gallery, Ramis Barquet Gallery, Nina Menocal Gallery, Miami Beach, Fl. EUA.*<br \/><em>Sin fronteras<\/em>, Galer\u00eda Fernando Pradilla, Madrid, Espa\u00f1a.<\/p>\n<p><strong>2001<\/strong>\u00a0 \u00a0<em>Globe&gt;Miami&lt;Island, Bass Museum Of Art<\/em>, Miami Beach, Florida.*<br \/><em>Face Of The Gods, The Art Museum<\/em>, Florida International University, Miami, Florida<br \/><em>I Love New York Benefit<\/em>, George Adams Gallery, NYC<br \/><em>Entremundos III<\/em>, Foro Iberoamericano de La R\u00e1bida, Huelva, Espa\u00f1a.*<br \/><em>Artists Respond: A Benefit Exhibition of Works by Gallery Artists<\/em>, George Adams Gallery, NYC<br \/><em>Collector\u2019s Show,<\/em>\u00a0Arkansas Art Center, Little Rock, AR<br \/>Magic Vision, Arkansas Art Center, Little Rock, AR<br \/><em>Collecting Ideas: Works from the Polly and Mark Addison Collection<\/em>, Denver Art Museum, Colorado<br \/><em>Hurricone Exhibition<\/em>, New Gallery Exhibition Schedule, Miami, Fl.<\/p>\n<p><strong>2000<\/strong>\u00a0 \u00a0<em>Cubans Painting<\/em>, American Embassy, Havana Cuba<br \/><em>Sarasota Biennial 2000<\/em>, Ringling Museum of Art, Sarasota, Florida. *<br \/><em>La Luz: Contemporary Latino Art in the United States<\/em>, National Hispanic Cultural Center of New Mexico, Albuquerque. *<br \/><em>Cuban Art of Three Generations<\/em>, Arkansas Arts Center, Little Rock<br \/><em>La gente en casa<\/em>, Museo Nacional Palacio de Bellas Artes, paralelo a la VII Bienal de La Habana, Cuba<br \/><em>Departing Perspectives, Site-Specific Installations by Miami Artists,\u00a0<\/em>Espirito Santo Bank, Miami, FL<br \/><em>Contemporary Narratives In American Prints<\/em>, Whitney Museum Of Art, Champion, N.Y.*<\/p>\n<p><strong>1999-2000<\/strong>\u00a0 \u00a0<em>The Art of Time<\/em>, The Bruce Museum, Greenwich, CT<\/p>\n<p><strong>1999<\/strong>\u00a0 \u00a0<em>Group Show<\/em>, Iturralde Gallery, Los Angeles, CA<br \/><em>Saints, Sinners and Sacrifices: Religious Imagery in Contemporary Latin American Art,<\/em>\u00a0George Adams Gallery, New York, NYC<br \/><em>Myth, Memory, Madness,<\/em>\u00a0Judy Ann Goldman Fine Art, Boston, Massachusetts<br \/><em>Art Miami\u00b499<\/em>, Stand Fredric Snitzer Gallery, Ramis Barquet Gallery, Galer\u00eda Der Br\u00fccke, Miami, FL<br \/><em>Fabled Impressions<\/em>, Georgia Museum of Art, Athens, Georgia<br \/><em>Art About Art<\/em>, George Adams Gallery, New York<br \/><em>ArteBa\u00b499<\/em>, Galer\u00eda Der Br\u00fccke, Galeria Thomas Cohn, Buenos Aires, Argentina<br \/><em>Accounts Southeast: Transience,<\/em>\u00a0Southeastern Center for Contemporary Art, Winston-Salem, NC<br \/><em>Phantoms: Tsibi Geva And Jose Bedia<\/em>,\u00a0Art Focus 3,\u00a0Jerusalem, Israel<br \/><em>Animal.Anima.Animus<\/em>,\u00a0P.S. 1, Long Island City, N.Y.*<br \/><em>Today and Everyday<\/em>,\u00a0Galer\u00eda Ramis Barquet,\u00a0New York, NY<\/p>\n<p><strong>1998<\/strong> \u00a0\u00a0<em>Loin De Cuba<\/em>,\u00a0Musee Des Tapisseries,\u00a0Aix-En-Province, France<br \/><em>Animal.Anima.Animus<\/em>,\u00a0Museum Of Modern Art,\u00a0Arnhem, Holland.*<br \/><em>I Bienal Internacional de Arte Cumana<\/em>,\u00a0Museo De Arte Contempor\u00e1neo de Cumana,\u00a0Venezuela.*<br \/><em>Collective Mural For The Unesco<\/em>,\u00a0PROJECT Port Au Prince, Hait\u00ed<br \/><em>Islas<\/em>,\u00a0Centro Andaluz de Arte Contempor\u00e1neo,\u00a0Sevilla, Espa\u00f1a.*<br \/><em>ARCO 98<\/em>, Feria de Arte Contempor\u00e1neo,\u00a0Galer\u00eda Ramis Barquet, Galer\u00eda Pol\u00edgrafa, Galer\u00eda \u00c1ngel Romero,\u00a0Madrid, Espa\u00f1a.*<br \/><em>Animal.Anima.Animus<\/em>,\u00a0Porin Taidemuseum,\u00a0Pori, Finland.*<\/p>\n<p><strong>1997<\/strong> \u00a0\u00a0<em>Art On Paper<\/em>,\u00a0Weatherspoon Art Gallery,\u00a0Greensboro, North Carolina<br \/><em>Breaking Barriers<\/em>,\u00a0Museum Of Art, Ft. Lauderdale, Fl. *\u00a0Curator: Jorge H. Santis<br \/><em>Nuevas Ediciones<\/em>,\u00a0Galer\u00edas Pol\u00edgrafa,\u00a0Barcelona, Espa\u00f1a<br \/><em>ARCO 97<\/em>, Feria de Arte Contempor\u00e1neo,\u00a0Galer\u00eda Ramis Barquet, Galer\u00eda \u00c1ngel Romero,\u00a0Madrid, Espa\u00f1a.*<br \/><em>Islas<\/em>,\u00a0Centro Atl\u00e1ntico de Arte Moderno,\u00a0Las Palmas de Gran Canarias, Espa\u00f1a.*\u00a0Curator: Orlando Brito<br \/><em>Caballos: Political Animals<\/em>,\u00a0George Adams Gallery, New York. Contemporary Art From Miami, Allen Memorial Art Museum, Oberlin College, Ohio.*<br \/><em>Mixing Business With Pleasure<\/em>,\u00a0Sawhill Gallery, James Madison University,\u00a0Harrisonburg, Virginia<br \/><em>Latin American Art from Brazilian Collections<\/em>,\u00a0MARGS (Museo de Arte de R\u00edo Grande del Sur Ado Malagoli), I Bienal MERCOSUR, Porto Alegre, Brasil.<\/p>\n<p><strong>1997\/95<\/strong> \u00a0\u00a0<em>Caribean Visions: Contemporary Painting and Sculture<\/em>,\u00a0Wadsworth Atheneum, Hartfor, Ct; Brooklyn Museum, New York, NY; New Orle\u00e1ns Museum of Art, Louisiana; Center for the Fine Arts,\u00a0Miami, FL.*<\/p>\n<p>1996 \u00a0 Art Collector\u2019s Show,\u00a0Arkansas Art Center,\u00a0Little Rock, AK<br \/><em>Dream Collection Gifts, Part 1,<\/em>\u00a0Miami Art Museum, FL<br \/><em>Going Places<\/em>,\u00a0George Adams Gallery,\u00a0New York, NY<br \/><em>Modern Miniatures: The Redefining of the Small<\/em>,\u00a0Brewster Art Limited,\u00a0New York, NY<br \/><em>Myth, Memory, Madness<\/em>,\u00a0Judy Ann Goldman Fine Art,\u00a0Boston, MA<br \/><em>Sin Fronteras\/Arte Latino Am\u00e9rica Actual<\/em>,\u00a0Museo Alejandro Otero,\u00a0Caracas, Venezuela.*<br \/><em>Cuba Siglo XX, Modernismo y Sincretismo<\/em>,\u00a0CAAM, Centro Atl\u00e1ntico de Arte Moderno, Las Palmas; La Caixa, Palma de Mallorca, Espa\u00f1a.*\u00a0Curators: Ma. Luisa Borras \/ Antonio Zaya<br \/><em>Defining the Nineties: Consensus-making in New York<\/em>, Miami and Los \u00c1ngeles,\u00a0Museum of Contemporary Art,\u00a0North Miami, FL<br \/><em>New Art on Paper 2<\/em>,\u00a0Philadelphia Museum of Art, Philadelphia<\/p>\n<p><strong>1995<\/strong> \u00a0\u00a0<em>Jos\u00e9 Bedia<\/em>, Carlos Capel\u00e1n, Saint Clair Cemin, Zitelle Venice*,\u00a0Porter Randall Gallery,\u00a0La Jolla, CA<br \/><em>Paper View<\/em>,\u00a0Cohen Berkowitz Gallery,\u00a0Kansas City, KS<br \/><em>Cuba: La isla posible<\/em>,\u00a0Centro de Cultura Contempor\u00e1nea de Barcelona, Espa\u00f1a.*\u00a0Comisario: Iv\u00e1n de la Nuez<\/p>\n<p><strong>1994<\/strong> \u00a0\u00a0<em>In Common: Luis Cruz Azaceta, Jose Bedia, Sandy Winters,<\/em>\u00a0Fredriceric Snitzer Gallery,\u00a0Coral Gabels, FL<br \/><em>Points of Interest\/Points of Departure<\/em>,\u00a0John Berggruen Gallery,\u00a0San Francisco, CA<br \/><em>InSITE94<\/em>,\u00a0San Diego, CA.*<br \/><em>Paper Vision V: Biennial Exhibition of Works on paper by 30 Contemporary Latin American Artists<\/em>,\u00a0Housatonic Museum of Art,\u00a0Bridgeport, CT<br \/><em>Bienal de Sao Paulo, (Instalaci\u00f3n)<\/em>,\u00a0Sao Paulo, Brasil.*<br \/><em>Heroes &amp; Heroines: From myth to reality<\/em>,\u00a0New Jersey Center for the Visual Arts, NJ.<\/p>\n<p><strong>1994\/93<\/strong> \u00a0\u00a0<em>Cartographies<\/em>,\u00a0Winnipeg Art Gallery, Manitoba &amp; National Gallery of Canada.*\u00a0Curator: Ivo Mezquita<br \/><em>Cuban Artists of the 20th Century<\/em>,\u00a0Museum of Art Fort Lauderdale, Florida.*<br \/><em>Face of the Gods: Art an Altars of Africa and the African Americas<\/em>,\u00a0The Museum of African Art,\u00a0New York, NY and US tour.<\/p>\n<p>1994\/92 \u00a0\u00a0<em>Ante Am\u00e9rica, Cambio de Foco<\/em>,\u00a0Organizada por Polarities en Boston y la Biblioteca Luis \u00c1ngel Arango, Bogot\u00e1, Colombia; el Museo de Bellas Artes, Caracas, Venezuela; The Queens Museum of New York, NY; The Spencer Museum of Art, Lawrence, Kansas, etc.*<\/p>\n<p><strong>1993<\/strong> \u00a0\u00a0<em>Personal Choice: Selection from 4 Alumni Collections<\/em>,\u00a0ICA, Institute of Contemporary Art, University of Pennsylvania, Philadelphia.<br \/><em>Azaceta, Bedia, Roche<\/em>,\u00a0Frumkin\/Adams Gallery,\u00a0New York, NY<br \/><em>Lesa Natura<\/em>,\u00a0Museo de Arte Moderno,\u00a0M\u00e9xico DF<br \/><em>Trabajos de los 80\u00b4s<\/em>,\u00a0Galer\u00eda \u00c1ngel Romero,\u00a0Madrid, Espa\u00f1a<br \/><em>El Viaje de Bedia y Capel\u00e1n en Suecia<\/em>,\u00a0Kulturhuset, Stockholm<br \/><em>Contemporary Latin American Drawings<\/em>,\u00a0Arkansas Art Center,\u00a0Litle Rock, Arkansas<br \/><em>Latin American Artists of the 20th Century,<\/em>\u00a0Museum of Modern Art, New York, NY; Estaci\u00f3n Plaza de Armas, Sevilla, Espa\u00f1a; Hotel des Arts, Paris, France; Museum Ludwing, Cologne, Germany.*<br \/><strong>1992<\/strong> \u00a0\u00a0<em>Am\u00e9rica: Novia del Sol<\/em>,\u00a0Royal Museum,\u00a0Antwerp, Belgium.*<br \/><em>Migrations: Latin American Art and the Modernist Imagination<\/em>,\u00a0Museum of Art, Rhode Island School of Design,\u00a0Providence, Rhode Island<br \/><em>Recent Acquisitions<\/em>,\u00a0Arkansas Art Center,\u00a0Little Rock, Arkansas<br \/><em>Jose Bedia<\/em>, Arturo Cuenca, Italo Scanga,\u00a0Porter Randall Gallery,\u00a0La Jolla, CA<br \/><em>Arte Cubano Actual<\/em>,\u00a0Centro Cultural\/Arte Contempor\u00e1neo,\u00a0M\u00e9xico, D.F.*<br \/><em>Al encuentro de los otros<\/em>,\u00a0Art Gallery, University of Kassel,\u00a0Germany<br \/><em>Turning the map: Images of the Americas<\/em>,\u00a0Camerawork, England<br \/><em>Si Col\u00f3n supiera<\/em>,\u00a0Museo de Monterrey,\u00a0Monterrey, M\u00e9xico<br \/><em>La d\u00e9cada prodigiosa: Pl\u00e1stica Cubana de los 80s<\/em>,\u00a0Museo del Chopo, M\u00e9xico, D.F.*<br \/><em>Los Cubanos Llegaron Ya<\/em>,\u00a0Ninart Centro de Cultura,\u00a0Mexico City, M\u00e9xico.*<\/p>\n<p><strong>1992\/91<\/strong> \u00a0\u00a0<em>El coraz\u00f3n sangrante<\/em>,\u00a0Institute of Contemporary Art, Boston, MA; Houston Contemporary Arts Museum, Houston, TX; ICA, Institute of Contemporary Art, Philadelphia, PA; Mendel Art Gallery, Saskatoon, Sakatchewan, Canada; Newport Harbor Art Museum, Newport Beach, CA; Museo de Bellas Artes de Caracas, Caracas, Venezuela; Museo de Arte Contempor\u00e1neo, Monterrey, M\u00e9xico.*<\/p>\n<p>1991 \u00a0\u00a0<em>Los Hijos de Guillermo Tell: Artistas Cubanos Contempor\u00e1neos<\/em>,\u00a0Museo Alejandro Otero, Caracas, Venezuela; Banco de la Rep\u00fablica de Colombia, Santa Fe de Bogot\u00e1, Colombia.*<br \/>Curator: Gerardo Mosquera<br \/><em>Nuevas Adquisiciones Contempor\u00e1neas. Muestra de Arte Cubano<\/em>,\u00a0Museo Nacional Palacio de Bellas Artes,\u00a0La Habana, Cuba<br \/><em>Mito y Magia en Am\u00e9rica: Los Ochenta<\/em>,\u00a0Museo de Arte Contempor\u00e1neo, Monterrey, M\u00e9xico.*\u00a0Curator: Miguel de Cervantes<br \/><em>Renacimiento Cubano<\/em>,\u00a0Maatschappij Artiet Amicitiae, Arta Foundation,\u00a0\u00c1msterdam<br \/><em>15 Artistas Cubanos<\/em>,\u00a0Ninart Centro Cultura,\u00a0M\u00e9xico DF, M\u00e9xico<\/p>\n<p><strong>1990<\/strong> \u00a0\u00a0<em>Among Africas\/In Americas<\/em>,\u00a0Walter Phillips Gallery,\u00a0Banff Alberta, Canad\u00e1.*<br \/><em>Arte Contempor\u00e1neo de Cuba<\/em>,\u00a0Museo de Arte Contempor\u00e1neo,\u00a0Sevilla, Espa\u00f1a.*<br \/><em>Kuba O.K<\/em>,\u00a0Stadtische Kunsthalle, Dusseldorf, Germany.*\u00a0Curators: Osvaldo S\u00e1nchez &amp; TONEL.<br \/><em>No man is an Island<\/em>,\u00a0Pori Art Museum, Finland.*<br \/><em>XLIV Biennale de Venezia<\/em>,\u00a0Venice, Italy.*<\/p>\n<p><strong>1989<\/strong> \u00a0\u00a0<em>Magiciens de la Terre<\/em>,\u00a0Centre Georges Pompidou,\u00a0Paris, France.*\u00a0Curator: Jean Hubert Martin<br \/><em>Contemporary Art from Cuba<\/em>,\u00a0Riverside Studios, London; Museo de Arte Contempor\u00e1neo, Sevilla, Espa\u00f1a.*<br \/><em>Trajectoire Cubaine<\/em>,\u00a0Centre d\u00b4Art Contemporain, Corbeil-Essons, France; Commune d\u00d3rvieto, Tuscani; Museo C\u00edvico di Gibellina, Sicilly, Italy<br \/><em>Final del Centauro<\/em>,\u00a0Colateral a la III Bienal de La Habana, Cuba<br \/><em>La Habana en Madrid<\/em>,\u00a0Centro Cultural de la Villa,\u00a0Madrid, Espa\u00f1a<\/p>\n<p><strong>1988<\/strong> \u00a0\u00a0<em>Ra\u00edces en acci\u00f3n<\/em>,\u00a0Museo de Arte Contempor\u00e1neo Carrillo Gil, M\u00e9xico DF.*\u00a0Curadoras: Coco Fusco-Rachel Weiss<br \/><em>Signs of Transition: 80 Artist from Cuba<\/em>,\u00a0Museum of Contemporary Hispanic Art, NY.*<\/p>\n<p>1987 \u00a0\u00a0<em>Art of the Fantastic: Latin American Art, 1929-1987<\/em>,\u00a0Indianapolis Museum of Art, Indiana; Queens Museum,\u00a0New York, NY<br \/><em>Bienal de Cuenca,<\/em>\u00a0Cuenca, Ecuador<br \/><em>Sao Paulo Biennial<\/em>,\u00a0Museu de Arte Moderna,\u00a0Sao Paulo, Brasil.*<br \/><em>Made in Havana<\/em>,\u00a0Art Gallery of South Wales,\u00a0Sydney, Australia.*<\/p>\n<p><strong>1986<\/strong> \u00a0\u00a0<em>II Bienal de La Habana<\/em>,\u00a0Museo Nacional Palacio de Bellas Artes. 1er. Premio Instalaci\u00f3n, La Habana, Cuba*<br \/><em>Ejes Constantes\/Raices Culturales<\/em>, Galeria Alternativa, Caracas, Venezuela<br \/><em>Dibujos<\/em>,\u00a0Galer\u00eda \u00c1ngel Romero,\u00a0Madrid, Espa\u00f1a<br \/><em>El Arte de la Sonrisa<\/em>,\u00a0Milan, Venice, Regio Emilia, Turin, Genova<br \/><em>\u00c1frica dentro de Cuba<\/em>,\u00a0Museo de Antropolog\u00eda de Luanda, Angola, Centro Wifredo Lam de La Habana, Cuba<br \/><em>10th International Exhibition of Drawing<\/em>,\u00a0Modema Galeria, Rijeka, Yugoslavia.<\/p>\n<p><strong>1985<\/strong> \u00a0\u00a0<em>New Art from Cuba<\/em>,\u00a0Amelie Wallace Gallery, SUNY, Westbury,\u00a0New York, NY.*<br \/><em>Intergrafix<\/em>,\u00a0Berlin, Germany<br \/><em>XX Pintores Cubanos<\/em>,\u00a0Gallerie Stuttgart,\u00a0Paris, Francia.<\/p>\n<p><strong>1984<\/strong> \u00a0\u00a0<em>Pintura Joven Cuban<\/em>a,\u00a0Art Gallery of Notario,\u00a0Toronto, Canad\u00e1<br \/><em>I Bienal de La Habana<\/em>,\u00a0Museo Nacional de Bellas Artes, Cuba.*<\/p>\n<p><strong>1983<\/strong> \u00a0\u00a0<em>Encuentro J\u00f3venes Artistas Latinoamericanos<\/em>,\u00a0Casa de las Am\u00e9ricas,\u00a0La Habana, Cuba<br \/><em>Los Nov\u00edsimos Cubanos<\/em>,\u00a0Museo de Arte Contempor\u00e1neo de Panam\u00e1, Panam\u00e1<br \/><em>Cuba Grafik<\/em>,\u00a0Husets Gallery, Sweden<br \/><em>Kubaska Teckuare<\/em>,\u00a0Galeria Latina,\u00a0Stockholm, Sweden<\/p>\n<p><strong>1982<\/strong> \u00a0\u00a0<em>Los Nov\u00edsimos Cubanos<\/em>,\u00a0Signs Gallery,\u00a0New York, NY<br \/><em>Cuatro por Cuatro<\/em>,\u00a0Galer\u00eda Habana,\u00a0La Habana, Cuba<br \/><em>Sal\u00f3n de Paisaje<\/em>,\u00a0Museo Nacional Palacio de Bellas Artes,\u00a0La Habana, Cuba<br \/><em>Sal\u00f3n de Dibujo<\/em>,\u00a0Fundaci\u00f3n Joan Mir\u00f3,\u00a0Barcelona, Espa\u00f1a.<\/p>\n<p><strong>1981<\/strong> \u00a0\u00a0<em>First Look: 10 Young Artists from Today\u2019s Cuba<\/em>,\u00a0Westbeth Gallery,\u00a0New York, NY<br \/><em>Volumen I<\/em>,\u00a0Galeria de Arte Internacional,\u00a0La Habana, Cuba*<br \/><em>Posters, Drawings, Graphics from Cuba<\/em>,\u00a0Lalit Kala Gallery,\u00a0New Delhi, India<\/p>\n<p><strong>1980<\/strong> \u00a0\u00a0<em>Gr\u00e1fica Joven,<\/em>\u00a0Santa fe de Bogot\u00e1,\u00a0Colombia<br \/><em>Landschaftsmalerei aus Cuba<\/em>,\u00a0Kunsthalle Rostock, Germany.<\/p>\n<p><strong>1979<\/strong> \u00a0\u00a0<em>VIII Sal\u00f3n Nacional de Artes Pl\u00e1sticas<\/em>,\u00a0Museo Nacional de Bellas Artes,\u00a0La Habana, Cuba.<\/p>\n<p><strong>1978<\/strong> \u00a0\u00a0<em>Seis Nuevos Pintores<\/em>,\u00a0Galer\u00eda L,\u00a0La Habana, Cuba.*<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Bedia La Habana, 1959 SELECTED SOLO EXHIBITIONS 2019 Trazos de Una Canci\u00f3n, Galeria Artizar, Tenerife, Spain 2018\u00a0&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44754","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/pages\/44754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/comments?post=44754"}],"version-history":[{"count":1,"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/pages\/44754\/revisions"}],"predecessor-version":[{"id":44755,"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/pages\/44754\/revisions\/44755"}],"wp:attachment":[{"href":"https:\/\/artizar.es\/en\/wp-json\/wp\/v2\/media?parent=44754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}